Utilizing a brain-computer interface (BCI), director Federico Pintos performs a real-time remix of his film, where neural activity dynamically triggers access to specific scenes, alternate takes, and unreleased footage. Simultaneously, brainwave data modulates parameters of audio and visual processing. The result is a live audiovisual system at the crossroads of cinema, neuroscience, experimental sound design, performance art, and real-time media manipulation (VJing).